FILM TV 122D Lecture Notes - Lecture 10: Diegesis
2 Jun 2018
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Week 10
• The sequence of post-production
o Acquisition--organization--review& selection-- assembly-- rough cut (trim
down, beginning to move away from script)--fine cut (roughly the real
length)--picture lock (move from picture to sound editing)--finishing--
mastering& delivery
• DX dialogue
o Wild track: recorded not in sinc
o ADR: dialogue replacement
o Voice over
• SFX sound effects
o Sound that is added
o Hard effects: seen on screen, need to sync
o Foley: man replaced sounds. e.g. footsteps
o Need all sounds without dialogue for foreign release
• BG: ambiance/ background
o Soundscapes: create the world of a scene
• MX: Music
o Score-- composed music
o Temp score-- music placed before score composed
o Songs-- can be written for film or purchased
o Source/ diegetic music-- the source of music can be seen in the film
• Sound mix
• People mimicking talking at the background: "wuala wuala": ambience sound, not
considered as dialogue
• Slacker
o Sound bridge
• The thin blue line--police
o Dallas on the ma-zoom in the Dallas Hotel
• Supersize me
• Roger and me
o Mixing different media together
o Voice-over narration
o Expository but personal documentary
• Broomfield vs reporter
• Frankinbites: cutting in the middle of the sentence to add words into them
• Confession cam: interview inserted into the real-time action (people being
interviewed and prompted) the worst behavior attracts other shows
• 2 historical types of reality shows
o Hidden-camera shows (handed camera)
o Camera that follows people for days, immersed with the situation of being
with the camera men (An American Family)
• Woody Allen
o One camera
o Zoom in/out
o Jump cuts
• Cinema Verite
o Discuss whether it is ethical
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