MUS 15 Lecture Notes - Lecture 5: Recitative, Ballad Opera, Johann Christoph Pepusch

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29 May 2018
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Unit 5: Public and Public: G.F. Handel and John Gay in London
- Setting the stage
o 1720s
o London
- Castrato
o Plural = castrati
o Castrated male singers
o Preserve child-like range of voice
o Common in 17th and 18th century
o Poor family
o Sing soprano part in church music (women not in church)
o Lots of physical effects
o Highly prizes as singers
- Francesco Bernardi
o “SENESINO” (1685-1758) stage name
- Alessandro Moreschi (1858-1922)
o Singer in Papal Chapel
o Recorded in early 1900s
o Become castrato when it was outlawed
o Not a popular singer
- George Frideric Handel
o 1685-1759
o German
o Composed first operas in Hamburg
o Spent about 3 years in Italy (want to write more opera; birthplace of opera Italy)
o Appointed Court Music Director at Hanover in 1710
o Moved to London in 1721
Become the most popular composer in London
Famous for writing Italian opera
Main occupation for 13 years
- Italian Opera
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o Drama in music
o Typically sung out, no spoken dialogue
o Libretto text of opera (usually written first)
o Originally private, aristocratic
o Most prestigious genre of music
o First public theaters:
Rome (1632)
Venice (1637)
- The business of opera
o Operatic business model is mixed
Selling tickets (expensive)
Guaranteed by nobility (don’t make any money)
o Economy of boxes (box seats)
Most money made from these people
o Had to cater to its audience
Visually and aurally striking
Spectacle!
- Italian opera in London
o 18th century London is thriving
o Taste for Italian music
o The royal academy of music
Founded as joint-stock company in 1719
Handel was music director
- Italian Opera? In London?
o Why???
o Public entertainment
o BUT still an icon of aristocracy (trying to be seen)
Most don’t understand Italian
Want (super good) Italian singer
Spectacle (both the audience want to be seen and the singer)
Display incredible virtuosity
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