MUS 114 Lecture Notes - Lecture 6: Gustav Mahler, Double Bass, Klezmer
Document Summary
Now superimposed: feie(cid:396)li(cid:272)h (cid:396)itualisti(cid:272) o(cid:396) (cid:272)e(cid:396)e(cid:373)o(cid:374)ial: a hu(cid:374)te(cid:396)"s fu(cid:374)e(cid:396)al atte(cid:374)ded (cid:271)y a(cid:374)i(cid:373)als, timpani starts as a steady beating tempo like a slow march. Suggests the funeral march: double bass (sounds like a cello) enters with the melody that seems solemn. Frere jacque theme in minor key; inversion or shift. Awkward sound and pressed because pitch meant to played on a cello. Lots of tension: turns into jewish sounding music. Becomes more upbeat, tempo increases: turns into sad solemn dance music. Violins prolonging their notes with lots of passion: funeral music reappears with the flutes/oboes/bassoon as the melody. All the previous music layered on top of each other: jewish dance music comes back over the funeral march music, circa 1890: starting to put incongruous elements together in abrupt ways. In a manuscript, the first instance is the caller in the desert. Der fuger in der wiste: the caller in the desert.
