T D 301 Lecture Notes - Lecture 20: George Balanchine, Classical Ballet, Vernacular Dance
Document Summary
Creates disti(cid:374)(cid:272)tl(cid:455) st(cid:455)lized (cid:373)oder(cid:374) a(cid:373)eri(cid:272)a(cid:374) (cid:271)allet aestheti(cid:272): (cid:862)neo(cid:272)lassi(cid:272)al ballet(cid:863: very virtuosic, minimal sets, lights, costuming, abstract or simple narrative dances. It"s (cid:374)ot a si(cid:373)ple stor(cid:455) (cid:271)ased (cid:374)arrati(cid:448)e, (cid:271)ut a(cid:374) a(cid:271)stra(cid:272)t (cid:374)arrati(cid:448)e (cid:449)here the audie(cid:374)(cid:272)e is asked to i(cid:374)terpret their own meaning. Modern dance: rejected the restrictions and conventions of ballet, opted for creative expression over technical virtuosity, aesthetic changes. Parallel legs (no turning out: feet in 180-degree angle) Anti homogenization (classical ballet was everyone doing the exact same thing at the exact same time) (cid:862)natural(cid:863) (cid:373)o(cid:448)e(cid:373)e(cid:374)t. Sigmund freud and carl jung: exploration or repressed or unconscious forces that determine human behavior. Interested in bringing women to the forefront and playing with gender roles. Short lived movement with enormous influence current dance forms. West village, new york was the place where post modern dance was born: with the bam happening in harlem during this same time period. Student of martha graham (cid:862)aestheti(cid:272) (cid:374)e(cid:373)esis(cid:863): rejected modern dance: created a manifesto about dance.
