ARTH 305 Lecture 8: arth 305 8
8 Feb 2017
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Document Summary
Leighton (a female but not a feminist scholar) Picasso"s cubist collages of 1989: leighton examined the collages in relation to picasso"s political activism, including his active commitment to anarchist politics. Leighton reads the fragmentation and anti-illusionism of the collages as a deliberate attempt by. Picasso to show the violence and anxiety of the first world war: her concern is the social history of art and picasso"s representation of the world but not necessarily violence towards women. Married a canadian and moved to canada rejected the group of 7, thought they were boring similar to picasso"s geurnica with the relation between collage and socio political events. Myths, like seeing non-europeans as closer to nature. Griselda pollock, modernity and the spaces of femininity . Feminist critique of paraskeva clark above: thinks any female artist of early modernist history needs to deconstruct the masculinist myths of modernism.
