MUS 505 Lecture Notes - Lecture 7: The Beach Boys, Frankie Lymon, Alan Freed

• School: Ryerson University
• Department: Music
• Course: MUS 505
• Professor: Gillian Turnbull

Document Summary

Listening analysis test 5 qs per song, 10 songs. Broght styles previously on the margins to the mainstream including r&b and country music. Rock n roll code for white, r&b code for black; -- same sound until shift to predominately white artists. Ro(cid:272)k + roll (cid:374)ot (cid:862)(cid:374)e(cid:449) st(cid:455)le (cid:271)ut a (cid:373)arketi(cid:374)g ter(cid:373) to id a(cid:374) audie(cid:374)(cid:272)e. Marketed to the ba(cid:271)(cid:455) boo(cid:373) ge(cid:374)eratio(cid:374), (cid:449)hi(cid:272)h (cid:449)as (cid:455)ou(cid:374)ger tha(cid:374) pre(cid:448)ious (cid:862)(cid:455)outh(cid:863) music such as swing. Called as su(cid:272)h (cid:271)(cid:272) the(cid:455) (cid:449)ere(cid:374)"t a(cid:272)tuall(cid:455) fighti(cid:374)g ea(cid:272)h other, pro(cid:454)(cid:455) (cid:449)ars vietnam different sides were funded by us and russia. Post wwii struggle for military and technological dominance us and russia. Fear of communism witch hunts for suspected communist sympathizers many were artists. Still an influence replced by the war on terror. Baby boomers attracted to it as a form of rebellion and generational identification. 1950s saw the invention of the teen as a demographic and identity. Popular music = resistant to the values of parent culture.