ARTH 1520 Lecture Notes - Lecture 8: Jan Gossaert, Sistine Madonna, Erwin Panofsky
14 Mar 2017
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Their artwork is often distorted with shape and colour to depart from realism and naturalism. Parmigiannino: (cid:862)the mado(cid:374)(cid:374)a (cid:449)ith the lo(cid:374)g ne(cid:272)k(cid:863, this subject matter seems to make no reality to it, compared to early on when. Illuminating little bits of red in clothing, with no directional light: light coming from jesus at the table and spreading outwards. It was popular due to the emotional response to this kind of work. Hans baldung grien into the supernatural and often painted witches: getting into the times of the witch hunts, he increasingly represented secular subjects that reflection reformations constraints on. Hieronymus bosch: (cid:862)the ga(cid:396)de(cid:374) of ea(cid:396)thly delights(cid:863, separation of light and dark, a white globe seen, shutters are closed, the temptation of st. anthony (the inside, a tryptic. In the 20th century during modern art, people look to bosch again and admire his (cid:396)eputatio(cid:374) to depi(cid:272)t the (cid:862)strangenesss of life(cid:863)
