ENG328Y1 Lecture Notes - Lecture 24: Elizabeth Bennet, To The Lighthouse, Hypoactive Sexual Desire Disorder

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11 May 2018
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To The Lighthouse
This is the proper stuff of fiction according to Woolf
Hinges on a series of opposition
Masculine and feminine
Mr. Ramsay believes in fact, philosophy, etc.
Way of logic, truth, courage, reason, order, justice
Images associated with him are of phallic frigidity
Always associated with the structure of the lighthouse
Romantic side to him as well
Powerful rhetoric, but entirely dependent on external validation
Mrs. Ramsay representative of sympathy, empathy, "suffering, death and the
poor"
Images associated with her are those of softness and light
Autonomous though she never values it
Doesn’t see herself as self-sufficient
Sponge sopped through with the emotions of other people
Enigmatic sadness that lingers around her
Section 2
End up getting into the thoughts of Mr. Banks
We hear what people think about things
Authorial voice is speculator
What is reported has a doubtful ring about them
Focus on time passing
Discourse time overwhelms story time
Weird authorial voice
Doesn’t seem to have any authority with the characters of which it
speaks
Solipsistic view of the characters
Defined simply by their consciousness'
Author seems to be someone who hesitates
As if the characters are people she does not know
We're not just given the consciousness of one person, but of many
Our approach to reality comes from various impressions of various
people
Lots of focalisers
Exterior time vs. interior time
Objective time - linear following of one thing after another
Real/felt narration is the intensity of an experience and consciousness
Multi-representational consciousness
Shifting of narrative viewpoint
Time is stratified
Intensive manifold rather than extensive manifold
Disintegration of the continuity of events
Novel of resolution vs. novel of revelation
Resolution = e.g. pride and prejudice - matters who Elizabeth Bennet
marries
Revelation = plot doesn’t matter at all
9-10 hours occupy 90% of the book and 10 years take 10% of the book
The events in the start are a lot more significant
Deaths are poignant because they are not dramatized
Mrs. Ramsay pays the price for being the dynamo that holds the family
together
total lack of sensitivity, but she never interrogates the idea of the
patriarchy at all
Mr. Ramsay is not a complicated character
No open lines of communication between Mr. & Mrs. Ramsay
Have established a balance that makes it work
But she is always called upon to provide the energy
Lily is not as analytical
Lecture 24
Monday, January 9, 2017
2:11 PM
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