INI100H1 Lecture : Editing – October 18th.docx

• School: UTSG
• Department: Innis College Courses
• Course: INI100H1
• Professor: Charlie Keil

Document Summary

Lecture structure: duration of the image, editing: introduction, editing: a) types of transitions, editing: b) dimensions of film editing: i) graphic relations ii) rhythmic relations. Next week: iii) spatial relations iv) temporal relations. Temporal duration of the image is the province of cinematographic properties as long as that duration is uninterrupted. Filmmaker can change the duration of a single shot, without changing the duration of the scene. A long take is a shot which exists for a considerable amount of time 30-45 seconds (usually 30-45 seconds) long take = refusal" of editing. Do not confuse long take with the long shot. A long take which possesses its own internal logic and seems self-sufficient is often called a sequence shot. The long take emphasizes how film determines the duration of the audiences exposure to the medium, as opposed to a painting where the audience decides how long. Warhol"s films often composed of static long takes, such as empire state building, sometimes.