ITA332H1 Lecture Notes - Lecture 8: Matteo Bandello, Frame Story, Counter-Reformation

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ITA332H Love in Renaissance
Lecture 8. 11/21/16
Matteo Bandello, (1485-1561)
• Dominican friar
Novelle
• Novelle published in 4 parts • First 3 in Lucca, 1554
• Last part, posthumously , in Lyon, 1573
• 214 novellas
• No frame story
• Open chain
• Every novella is preceded by a dedicatory letter
• Dedicatory letters
• Give many details, providing a sense of the time and place
• In the past read by historians as authentic, providing details on historical characters
• Later, part of the fiction, despite Bandello’s insistence on all stories being true
Novellas
• Author’s insistence on realism, on his stories being true accounts of historical events • Bandello: “true
stories”, but the order is casual
• Bandello represents himself as a copyist, as a scribe
• Getto: poetics of the truth
• Sapegno: journalistic style
• Flora: represents “the nakedness of the story”
• Patrizi: rhetoric of reality
Directory Letter to Novella I
• If the reader finds the novellas: • coarse, crude, unrefined
• Not placed in the right order
• Expressed in barbarous language
• Then let him consider that: • I was born in Lombardy and am not, therefore, a Tuscan
• That I recorded them not to teach others how to write in the (Italian) vernacular but only to memorialize
events I deemed worthy
Giulietta & Romeo
• The setting (Verona)
• Two feuding families, the Capelletti and the Montecchi,
• The two young people fall in love • they marry clandestinely
• Tebaldo is killed by Romeo • Exile & Frate Lorenzo’s plan
• Death of the two lovers
• Characterization
• Giulietta
• Her mother
• All men
• Romeo
The lord of the city ordered that the lovers remained buried in that same tomb, which was why
peace was made between the Montecchi and Capelletti, although it did not last long
• From the dedicatory letter: • And because I thought it worthy of compassion and of being
consecrated to posterity, I wrote it down as a warning to the young to act with restraint rather than
rashness (p.50)
Conclusions
• With his novellas, Bandello reiterates
• Authority: paternal authority, civil authority, ecclesiastical authority
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