Music 1649A/B Lecture Notes - Lecture 7: Diminished Seventh, Minor Seventh, Dominant Seventh Chord
2 Oct 2018
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Music theory 1649: seventh chords: review of interval and triad: When these two added together (eb-g-bb-db) ---major miner seventh chord dominant seventh: five type of seventh chords. Major 7th major triad and major seventh. Dominant 7th major triad and minor seventh. Minot 7th minor triad and minor seventh. Half diminished 7th diminished triad and minor seventh. Diminished 7th diminished triad and diminished seventh. Cdim7: dominant seventh and half-diminished seventh are exclusive to a certain major key, diminished seventh and half-diminished seventh are exclusive to a certain minor key. Classic style-generally no 7 on tonic or tonic substitute but often take sevenths in predominant and dominant. All three tonic predominant and dominant often take seventh in jazz, r&b and other popular styles: ex -jazz joseph kos(cid:373)a (cid:862)autu(cid:373)(cid:374) leaves(cid:863) by miles davis. Chordal seventh always wanted to go down: inversions. Second interval and seventh interval to help determining the root.
