MUS 310 Lecture Notes - Lecture 8: Falsetto, Duane Eddy, Monument Records
Document Summary
What the folk: audience: college-age listeners. These are the first-gen rock and rollers: ee(cid:373)ed (cid:373)ore (cid:862)real(cid:863) tha(cid:374) (cid:272)o(cid:373)(cid:373)er(cid:272)ial pop, popular through the (cid:1008)(cid:1004)"s. Music by the people, for the people. Performers not above audience, but representative of it. Breaks with the norms of middle-class life. Almost anyone could play folk music: kingston trio. (cid:862)(cid:272)arpet (cid:271)aggers(cid:863) (cid:271)e(cid:272)ause they (cid:272)a(cid:373)e fro(cid:373) the (cid:374)orth a(cid:374)d (cid:373)igrated south and their suitcases were fancier, looking like carpets (cid:862)to(cid:373) dooley(cid:863) hits #(cid:1005) o(cid:374) pop charts i(cid:374) (cid:1005)9(cid:1009)9. Very well enunciated and whitewashed the folk tune. Album primary format for serious music jazz and classical. Suited the lofty cultural aspirations of folkies to break trends. Invention of the album plants the seed for concept albums (but this does(cid:374)"t a(cid:272)tually (cid:272)o(cid:373)e a(cid:271)out till the (cid:1010)(cid:1004)s: two sides of the folk revival. Those who explored rich literature of documented folk music. ^take the material but not the vocal inflection and style.
