MUSC 226 Lecture Notes - Lecture 4: Totalitarianism, Chord Progression, Ragtime

• School: Texas A&M University
• Department: Music
• Course: MUSC 226
• Professor: Matthew Del Campo

Document Summary

Gertrude (cid:862)ma(cid:863) rai(cid:374)e(cid:455) (1886-1939: k(cid:374)o(cid:449)(cid:374) as (cid:862)mother of blues(cid:863, worked on black vaudeville circuit, known for her powerful, gritty voice, records with early jazz musicians, (cid:862) ee, ee rider(cid:863)(cid:894)(cid:1005)9(cid:1006)(cid:1008)(cid:895) (cid:449)ith louis armstrong. Re(cid:272)orded (cid:271)(cid:455) bessie (cid:373)ith: led a dance band, attracted large racially mixed audiences. Bessie smith: (cid:862)e(cid:373)press of the blues(cid:863, her recordings in 1920s-30s sparked popularity of blues music among predominately white mass audience (and black audience as well, (cid:272)ores s(cid:373)ash hit (cid:449)ith (cid:1005)9(cid:1006)(cid:1009) re(cid:272)ordi(cid:374)g of he(cid:374)d(cid:455)"s (cid:862) t. Louis blues(cid:863: (cid:862)do(cid:449)(cid:374) hearted blues(cid:863) (cid:271)estselli(cid:374)g re(cid:272)ord for (cid:1008) (cid:449)eeks i(cid:374) (cid:1005)9(cid:1006)(cid:1007, her popularity saved columbia records, along with other classic blues singers, smith generated market interest in country blues. 12-bar blues: bar=measures, each bar has 4 beats, time signature 4/4, the entirely follows a typical chord progression. Blind lemon jefferson: one of the founders of texas style blues, nasal voice, sparser guitar subordinate to vocals, guitar playing used to add to the vocals.