MUSC 324 Lecture Notes - Lecture 32: Unit, Gotlander, Breakbeat

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In order to prepare for the exam, you should read the textbook, slides, and ecampus articles, and listen to/watch the audio & visual materials on ecampus. Absolute music: aesthetics, beethoven raise of the bourgeoisie, moving away from established forms (authenticity = Pure organization of sounds: s. bach court and church employee (contract) personal expression); genius transcends the conventions. Chopin romantic period pessimism and extreme of individualism as a cultural value (role of the artist) Subculture (subcultural capital, compare to cultural, economic, and social capitals) Islamic expansion in southern spain (cultural exchanges with jews and muslims) Unit 10: world music, 4 paradigms of transnational music flows. Cardoso: american popular musicians wanting to extend their sonic pallet, putumayo records: multiculturalism & exoticism, deep forest: cultural appropriation (field recording); copyright issues, film music & ambient music, modernism postmodernism, ambient music. John cage silence and sound art (4"33"") Change in audience demographics: new hollywood vs.

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