MUSIC 15 Lecture Notes - Lecture 6: Dear Sarah (Film), Music Complete

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8 Jun 2018
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The codification of Western Music
Gregorian Chant=origin of codification of western music
Plainchant choirs
Soprano: high range for girls
Tenor: high range for boys
Alto: low range for girls
Bass: low range for boys
Immortal Bach- J.S. Bach/Knut Nysted
Sung in German, the language of the Lutheran church
“Come forward sweet death”, describing Lutheran’s positive association
towards death
2nd part has no meter: aleatoric “chance music”
Timing of music up to the performers
Requiem-Gilkyson/Hella-Johnson
“Requiem” is latin for remembering, esp. Remembering of the dead
Original song recorded same singer two voices, rearranged by Hella-Johnson to
accommodate a 45 person choir
Incredibly successful--song 35k+ copies
The bigger the ensemble the more difficult to sing to a precision
More coordination involved
Difference in style! Notes are same and voices too but articulation is
different (ex: pop, country, classical)
Jauchzet Dem Herm-Felix Mendelssohn
Motets (about drinking and partying?) and madrigals (religion and scripture)
Formal structure is exactly the same
Rule is every new line of text=a completely new line of music
Complete opposite of strophic music (ex: Amazing Grace)
At times changes the number of singers to double down on text (full choir
vs. 8 people)
Dear Sarah- James Syler
Very emotional, especially if reading the lyrics while listening
Repeating small/large elements: minimalism!
Fractals: similarities to snowflakes (symmetry in nature)
Soft, intimate, tender and flexible
Ironic, because the piece is composed by mathematical
symmetry, geometry
Combining expression and math? Words bridge the gap
The Lamb- John Tavener
Constructed with shape in mind; use of palindromes and inversions
150th Psalm-Howard Nelson
Peace of Wild Things-Jake Runestad
Flight Song- Kim Amessen
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Document Summary

Gregorian chant=origin of codification of western music. Sung in german, the language of the lutheran church. Come forward sweet death , describing lutheran"s positive association towards death. 2nd part has no meter: aleatoric chance music . Timing of music up to the performers. Original song recorded same singer two voices, rearranged by hella-johnson to accommodate a 45 person choir. The bigger the ensemble the more difficult to sing to a precision. Notes are same and voices too but articulation is. Jauchzet dem herm-felix mendelssohn different (ex: pop, country, classical) Motets (about drinking and partying?) and madrigals (religion and scripture) Rule is every new line of text=a completely new line of music. Complete opposite of strophic music (ex: amazing grace) At times changes the number of singers to double down on text (full choir. Dear sarah- james syler vs. 8 people) Very emotional, especially if reading the lyrics while listening. Fractals: similarities to snowflakes (symmetry in nature)

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