ART HIST 202 Lecture Notes - Lecture 20: James Abbott Mcneill Whistler, Paneuropean Union, Sigmund Freud

• School: UW-Madison
• Department: Art History
• Course: ART HIST 202
• Professor: Dan Fuller

Document Summary

November 21, 2017: paul c zanne, mont sainte-victoire, 1902-04, oil on canvas. Spent time studying old masters; thought impressionism was too loose so he wanted to paint the forms and geometric. (cid:272)e(cid:374)e looks like it has depth, (cid:271)ut is(cid:374)"t usi(cid:374)g perspe(cid:272)ti(cid:448)e - uses distance based on form, shape and colors placed next to each other. Yello(cid:449) hills see(cid:373) (cid:272)loser tha(cid:374) the (cid:373)ou(cid:374)tai(cid:374)"s (cid:271)lues: paul cezanne, basket of apples ca. Apples appear spherical with gradations of color, yet still flat. Plays with how form is represented; thick outline flattens. Perspe(cid:272)ti(cid:448)e does(cid:374)"t (cid:373)ake se(cid:374)se; (cid:374)ot a(cid:272)(cid:272)urate represe(cid:374)tatio(cid:374: paul c zanne, the large bathers, 1906. Thinks about how you see objects and how that influences their representation - modern ideology: james abbott mcneill whistler, nocturne in black and gold (the falling rocket), ca. Wanted to use music, harmony and balance in paintings; used musical terms. Use at(cid:373)ospheri(cid:272) effe(cid:272)ts rather tha(cid:374) a s(cid:272)e(cid:374)e"s details.