Music 1710F/G Study Guide - Final Guide: Franz Liszt, Program Music, Showboat
8 Dec 2012
School
Department
Course
Professor
Document Summary
Religious aspect (aware of church music) my" regarded towards self santification. Bach, fantasy and fugue in g minor, bwv 542 (just the fugue) p. g. Fortspinning: intensity obtained by devices such as sequence, repetition, and intervallic variation. Exposition: theme 1 (imitative polyphony) theme 2 (homophony rustic style) transition to theme 3 (imitative polyphony) ending in chromatic passage. : unanticipated return of theme 2, transition to theme 3, close. Coda: chromatic theme, theme 1 restated with imitation ornate homophonic close of theme 1. Dynamic contrast intimacy/sensual experience (chopan was ill, could only play loud for a bit) Pianist start to memorize music (make it their own) Wagner, prelude and liebestod from tristan und isolde p. g. Lack of traditional tonic resolution prolonged yearning/longing of ill-fated lovers (continued motion) Debussy used to be wagnerian but disliked him for his attitude showboat". Debussy, prelude to the afternoon of a faun p. g. Tristan melody (used as color rather than function)
