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Class Notes for Film Studies at Carleton University

FILM 3808 Lecture Notes - Lecture 2: Anamorphic Format, Andrew Stanton, Lev Manovich

FILM 3808A: Week 2 Screening: Wall-E (dir. Alan Stanton, 2008) 98 minutes Reading: Lev Manovich, What Is Digital Cinema? (1995) [27 pages] Available online at http:manovich.netcontent04-projects009-what-is-digital-cinema07...

Film Studies
FILM 3808
Charles O'Brien
FILM 3808 Lecture Notes - Lecture 1: Kuselan, Merriam-Webster, Columbia University Press

FILM 3808A: Week 1 Week 1, September 5 Sentimental Journey (dir. Nagi Noda, 2003) 6 minutes Reading: Nicholas Rombes, Interfaces, Cinema in the Digital Age, Revised Edition (London and New York: Wallflower Press, 2017), 52...

Film Studies
FILM 3808
Charles O'Brien
FILM 3301 Lecture Notes - Lecture 1: Laura Mulvey, Zotero, Google Scholar

Where to Start Your Search for Scholarly Work If you're not on campus, make sure to "Login" to library page (https://library.carleton.ca/) on top right or click "Off-campus login" below search bar. Once you find a book ...

Film Studies
FILM 3301
Laura Horak
FILM 3301 Lecture 1: How to Read a Journal Article

HOW TO READ AN ARTICLE OR A BOOK When you are reading an article or a book that is on the syllabus, or an article or a book that you use in the writing of an essay or in doing research, make sure you ask the same type of q...

Film Studies
FILM 3301
Laura Horak
Film Studies
FILM 3301
Laura Horak
FILM 2601 Lecture Notes - Lecture 1: Bejeweled, Audio Visuals, Player Character

Video Game Breakdown Paper The goal of this paper is to choose a single video game and identify and classify as many aspects of it as possible. The objective is to practice close textual analysis, while also thinking abo...

Film Studies
FILM 2601
Aubrey Anable
FILM 2601 Lecture Notes - Lecture 1: Homo Ludens, Rockstar Games, Kim Kardashian

FILM 2601 Take-Home Exam Due via cuLearn no later than 11:55pm on 22 December 2017 (no extensions) Instructions: Three essay questions are listed below. You must answer only two of them. It is your choice as to which t...

Film Studies
FILM 2601
Aubrey Anable
FILM 2101 Lecture 11: March 6th, 2018 - DVDs, Directors, and "Making-of" Documentaries
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March 6 , 2018 The 2018 Academy Awards Inclusion Rider in Hollywood o Saying that I will only sign on to a film if it has a certain amount of inclusivity o You have at least have to consider a woman for every major positio...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture 4: January 17th, 2018 - The Business of Hollywood (cont)
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January 17 , 2018 Sunset Boulevard The trailer promotes stars and new up and coming actors and actresses Presenting this as something different than the usual Hollywood film and its about the little people in Hollywood 195...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture Notes - Lecture 10: Academy Awards, Cultural Capital
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February 27 , 2018 The Cultural Consecration of Film: The Academy Awards (Oscars) The Oscars are a platform for talking about Hollywood cinema and World Cinema All the films that are mentioned in the video shown are very k...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture Notes - Lecture 9: Venice Film Festival
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February 13 , 2018 The Cultural Consecration of Film Festivals are gatekeepers, they determine what films we will be talking about during award season Most of the films that weve seen have won some sort of award at a film ...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture Notes - Lecture 5: Sound Recording And Reproduction, New Aesthetic, Swiss Chocolate
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January 23th, 2018 Art Cinema The figure of the director is what makes up the genre Steve Neale What has motivated the rise of art cinema, was a way to distinguish Hollywood cinema from foreign films (differentiation is cr...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture Notes - Lecture 7: New Hollywood, French New Wave, Experimental Film
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January 30 , 2018 The (New) Hollywood Machine, From Script to Screen: High Concept and the Rise of the Conglomerates Classical Hollywood to French New Wave to New Hollywood New Hollywood New American Cinema aka the America...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture Notes - Lecture 3: Gloria Swanson, Hollywood Blacklist, Celebrity Culture
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January 16 , 2018 The Business of Hollywood Why Hollywood? Climate Light Landscape Real Estate Who isWhose Hollywood? The major studios dominated through vertical integration (created, distributed, and exhibited) The Big 5...

Film Studies
FILM 2101
David Richler
FILM 2101 Lecture Notes - Lecture 2: Slippery Slope, Thomas Elsaesser, Paratext
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January 9 , 2018 From Production to Promotion: The Art and Commerce of Global Cinema film Art: An expression of something Industry: Encompasses the production, distribution, and exhibition of goods ContextText The actual m...

Film Studies
FILM 2101
David Richler

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