FILM 1000 Lecture Notes - Lecture 5: Lead Room, Tatami

• School: Carleton University
• Department: Film Studies
• Course: FILM 1000
• Professor: Andre Loiselle

Document Summary

(cid:862)su(cid:396)p(cid:396)ise(cid:863) (cid:395)uiz (cid:449)ill o(cid:272)(cid:272)u(cid:396) i(cid:374) no(cid:448)e(cid:373)(cid:271)e(cid:396) (a(cid:272)tually will receive 1-week notice) October 18 prof is away, thursday class professor will teach on realism. November 1 more details on the assignment in class. Andre bazan was very influential upon filmmakers, he talked about certain specifics on filmmaking. Some of the terms that he used have entered the english language because he was so influential. (cid:862)mise-en-s(cid:272)e(cid:374)e(cid:863) (cid:396)efe(cid:396)s to thi(cid:374)gs that a(cid:396)e in front of the camera and how the camera is recording those things. The filmmaker can use composition or straight lines to create specific impressions. The films of ozu are well known for focusing on stability, the static aspect of life his point of view is always the eye level of someone sitting on the tatami mat. This differs from hitchcock, who always used diagonal lines, destabilizing the spectator. The basic rule of framing, dating back to renaissance paintings, is the rule of thirds.