PHIL 367 Lecture : PHIL 367 - Lecture (Mar. 26th)
Document Summary
Nietzsche argues that the impulse to art the impulse to create must be approached scientifically. It has to be understood as a physiological and psychological force, and could and should be studied scientifically. These artistic drives (apolline and dionysiac drives, and the socratic tendency) are present in human beings, and present in nature itself. These drives are objectifications of the schopenhauerean will. It is the interaction of these life forces and drives that produce culture. Dionysian drive is associated with great music and theatre, while the apolline drive is associated with architecture and homeric, epic poetry. Nietzsche"s entire project is an investigation between knowledge, truth and culture. He is one of the first to probe the fact that science is a culture, that the scientist is not the one that discovers, but the one that creates. There is no value-free objective position, some neutral position, and the notion that that is possible is the.