MUSIC 1AA3 Lecture Notes - Lecture 3: Christian Liturgy, Musical Form, Scherzo
Document Summary
Commonly, in the eighteenth century, a movement of a symphony, string quartet, or other work; the "trio” is a contrasting minuet, after which the first minuet returns. (page 219) Short passage of music that is repeated several times, at progressively higher or lower pitches; also, in christian liturgy, a long poem appended to the alleluia of the mass, with a syllabic musical setting. (page 219) Form most often used in first movements of symphonies, sonatas, and other instrumental works of the late eighteenth and early nineteenth centuries, consisting primarily of exposition, development, recapitulation, and coda. (page. Process of exploring and reworking different musical materials; in first- movement sonata forms, the main middle section, in which melodies and motives from the first section (exposition) are fragmented, recombined, and used in combination with modulation. (page 220) In sonata form, passage at the end of the development that leads to the recapitulation. (page 220)