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Lecture 24

ARTH 301 Lecture 24: 24- Tutorial Nov 22

2 Pages
34 Views
Fall 2017

Department
Art History and Visual Culture
Course Code
ARTH 301
Professor
T'ai Smith
Lecture
24

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1
ARTH 300
Nov 22
Tutorial
Godard was a leftwing artist, why did he less and less answer the questions in the
interviews?
His response is sincere because his capacity of being interviewed was exhausted,
nothing more to be said.
A lot of artists want to have a constant justification.
Being a writer or artist are different languages
Role that author/artist play in constructing narrative in his own work
Foucaul’ts What is an author. He describes disappearance of author, the work has a
function beyond the author.
Picasso:
Matters how these forms operate within new discourses that emerge through
time
70s and 80s: feminism. New discourses emerge and painting means
something else. Who is the intended spectator? How is the body being used?
What do African objects relate to postcolonialism?
Godard tries to remove himself from discourse of the meaning of his work. Maybe in
silence a new potential opener is offer to new readers come to interpret, make
theory/knowledge of these objects, like Gareth.
What productive potentialities exist in that concept of silence that is useful to us as
art historians?
The field has been silent on any conversation/dialogues that occur between Godard
and Said, it is not clear if they ever met each other, they never directly point to each
other but everyone know they should be.
Gareth says there is something there in the nothingness. Humanity’s constant
quest of truth
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Description
ARTH 300 Nov 22 Tutorial Godard was a leftwing artist, why did he less and less answer the questions in the interviews? His response is sincere because his capacity of being interviewed was exhausted, nothing more to be said. A lot of artists want to have a constant justification. Being a writer or artist are different languages Role that author/artist play in constructing narrative in his own work Foucaults What is an author. He describes disappearance of author, the work has a function beyond the author. Picasso: Matters how these forms operate within new discourses that emerge through time 70s and 80s: feminism. New discourses emerge and painting means something else. Who is the intended spectator? How is the body being used? What do African objects relate to postcolonialism? Godard tries to remove himself from discourse of the meaning of his work. Maybe in silence a new potential opener is offer to new readers come to interpret, make theory/knowledge of these objects, like Gareth. What productive potentialities exist in that concept of silence that is useful to us as art historians? The field has been silent on any conversation/dialogues that occur between Godard and Said, it is not clear if they ever met each other, they never directly point to each other but everyone know they should be. Gareth says there is something there in the nothingness. Humanitys constant quest of truth 1 Method: Potentialities and limits. See radical potentialities that exist in that gap Badiou: gap happens in event For Gareth the gap Foucault talks about voices that are silent to protect the dominant ideology/culture, voices privileged in society over others. Relates to knowledge and power, knowledge in traditional modern artist: why havent there been great women artists? They were silent, educational systems cou
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