ENG 3106 Lecture Notes - Lecture 2: Hypermasculinity
Document Summary
Eng 3106 lecture notes: kirsh(cid:374)er: (cid:862)alie(cid:374)atio(cid:374) is o(cid:374)e of the po(cid:449)erful the(cid:373)es i(cid:374) fil(cid:373) of this period(cid:863, sense of alienation and turning inward. American art from this period emphasizes that: western is a very mythos-oriented genre. Focuses on heroic deeds and actions: wester(cid:374)s (cid:449)ere (cid:373)ythos fo(cid:272)used, (cid:449)hile kirsh(cid:374)er"s ideas are ethos-oriented, creating an inversion of traditional western films. Looks at the inner-character of people opposed to just focusing on their deeds. Like bonnie and clyde, midnight cowboy is preoccupied with the way identity is constructed through images: (cid:862)joe bu(cid:272)k(cid:863) a(cid:374)d (cid:862)ratso rizzo(cid:863) e(cid:374)trap their (cid:272)hara(cid:272)ters i(cid:374) stereotypes, lack of opportunity to create a meaningful life for the main characters. Joe moves away to start anew life, was a dishwasher but his hopes for his new life are unrealistic: film starts with a white screen, zooms out and you see it was a close-up of a drive-in screen.