FAH272H1 Lecture Notes - Lecture 8: Capitoline Hill, Toyo Ito, Kazuyo Sejima
Document Summary
Ta(cid:374)ge"s skeletal (cid:272)o(cid:374)stru(cid:272)tio(cid:374) i(cid:374) (cid:272)o(cid:374)(cid:272)rete (cid:449)as see(cid:374) as (cid:373)i(cid:373)i(cid:374)g (cid:449)oode(cid:374) for(cid:373)s: kenzo tange, national olympic gymnasium and annex, tokyo, japan, 1964, tange worked within an idiom that was western in origin, into which he injected specifically. Shinohara completely rejected the consumer culture turned toward abstraction rooted in zen buddhism. Sejima celebrates with almost miesian elegance the material properties of glass. In order to maximize the street front, the front of the building is longer than the warehouse-like space containing the gaming machines. Enormous lettering, large enough to attract the eye of anyone in a car speeding by on the broad boulevard beyond, doubles as advertising and decoration. Sejima did (cid:374)ot sho(cid:449) her prede(cid:272)essors" a(cid:373)(cid:271)i(cid:448)ale(cid:374)(cid:272)e a(cid:271)out (cid:373)oder(cid:374)ist for(cid:373)s a(cid:374)d (cid:373)aterials, (cid:449)hi(cid:272)h here coexist comfortably with popular culture. interest in transparency. Shinohara and ando instead emphasized the ways in which their buildings were sited and constructed, evoking experiential qualities that their cham- pions often associated with zen.
