EN392 Lecture Notes - Lecture 14: Anthropomorphism, Lanval, Wild Beasts

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Sir Orfeo & Sir Gawain
Sir Orfeo
Artificial introduction
Oral vs. written traditions in storytelling
Breton Lays Celtic tradition brought up again
The role of the king to hear of marvellous things (fairy tale time)
Thai refers back to kings ho’d ga a hap ad go aay plukig at a oae ad gie it a
name [comes from role of King David (ex-shepherd) known to play the harp and composed the
Book of Psalms in the Bible]
o “tess o the eatie poess e ofte do’t hae i edieal oks
o Seldom emphasize the attitude towards the author we have now
Often unknown or good because the work appeals to authority
o They care little about originality
o Creating a song
Giving it name makes it more local
Presumed high-class audience
o “i = kight
First thing we learn of Orfeo is that he enjoys harping, which he taught himself to do
o If you can teach yourself to be a good harpist, you can teach yourself to be whatever
else you may hope to be as well (knight or king)
o When he plays, everyone assumes they’e i paadise
His kingship is entirely secondary to his ability to play the harp
o Get traditional hero, masculine stud after
Not auto-didactic stuff
o You ust speak o the kig’s aesty
o Kig Pluto kig of the eal of the dead ad Kig Juo
Pluto not a positive figure at all abducts and rapes his queen
Juno a figure associated with marriage and laws
Fit together wild and tame
Connected with Winchester the Kig’s out; usual hoie
o Near to there
Economic term of his queen
o Herodius Haod’s siste-in-law. The woman who dances for King Harrod and she
demands the head of John the Baptist as repayment for her dancing because he
compares her to a whore of Babylon
Sexual luxury and domination of her step-daughter
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o Biblical tradition vs. his Latin tradition
o The tale is left behind soon after
o She is a beautiful woman
May’s spig paty ey taditioal tie of loe, liese, ad paiig off
o Idea of greening of the earth
The story itself beginning with the abduction
Same as Lanval in the sense you fall asleep in the late morning under a tree = trouble
Symptoms of the abduction
o “he’s o he o
o Her activities are very detailed
She scratches away at her face, hands, and feet, tearing away her beautiful
clothing
The gorgeous, trophy-wife of a king so she decides to make herself ugly by scratching away at
her face and body
o Attack on her own beauty
Tree fiddling with nature earth comes back on you one way or another
She represents fertility (she is meant to produce heirs)
o She is worried about her lack of fertility
o How conscious is this stuff?
Crossing-over place into fairy world
o How is a human expected to identify this?
What is Orfeo doing in all of this? Where is he? What does this say about their relationship?
Dream is of a parallel universe
o The fairy king and queen hunt (normal for knight and lady)
Different but also the same
o If she’s ot thee at oo, the faiy kig is goig to take he ad the out ill hae to
deal with it
Orfeo prepared with his 10,000 knights
Does’t udestad hat he’s up agaist supeatual
o How do you defend yourself against magic?
Cousellos ould’t ee help
o She still disappears
Orfeo should go try to save her but instead enters a decade-long depression, running off as a
Wildman, leaving his royal duties
Orfeo only figures out that his queen is everything to him once she is gone
o He a’t ule ithout he
o He needs her to create an heir
o Attack on his masculinity o atte if he shos up ith all his kights, it’s useless
o Now needs to find out who he is (idea of process)
o He blew it up in his prime duty of keeping the queen loyal
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