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SFUFPA 135Melanie CassidySpring

FPA 135- Final Exam Guide - Comprehensive Notes for the exam ( 25 pages long!)

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SFUFPA 135Melanie CassidySummer

FPA 135- Midterm Exam Guide - Comprehensive Notes for the exam ( 13 pages long!)

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Fpa. 135: intro to cinema - terminology (melanie cassidy, instructor) The fundamental means by which filmmakers maintain consistent screen direction, o
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SFUFPA 135Robert ChristieSpring

FPA 135 Study Guide - Final Guide: All That Heaven Allows, Dallas Buyers Club, Run Lola Run

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Documentary about vancouver"s chinatown and it"s slow disappearing. Melies previously magician and trick filmmaker; early sci-fi and special effects; v
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SFUFPA 135Robert ChristieSpring

FPA 135 Study Guide - Midterm Guide: Dallas Buyers Club, Run Lola Run, Dziga Vertov

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Melies previously magician and trick filmmaker; early sci-fi and special effects; very elaborate sets. Oscars for cinematography, visual effects, and a
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SFUFPA 135Robert ChristieSpring

FPA 135 Study Guide - Final Guide: Third Cinema, Motion Picture Production Code, Blaxploitation

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Period begins with workers leaving the factory (1895) Growth of leisure led to conflict between high and popular culture. Shift from single to multiple
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SFUFPA 135Anil NarineFall

FPA 135 Midterm: MID VOCABULARY

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However, realism and antirealism (like realism and fantasy) are not strict polarities. backstory a fictional history behind the cinematic narrative tha
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SFUFPA 135Melanie CassidyWinter

FPA 135 Study Guide - Midterm Guide: Costume Design, Dramatic Structure, Antihero

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Cinema: greek (cid:862)kenesis(cid:863) (movement), often implies art films: movie, a form of popular entertainment, a narrative that tells a fictional
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SFUFPA 135Melanie CassidyWinter

FPA 135 Study Guide - Final Guide: Panavision, Camera Angle, Long Shot

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Lighting: shapes the way the movie looks and helps tell the story: source: natural and artificial, daylight: the most convenient and economical source,
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SFUFPA 135Anil NarineFall

FPA 135 Study Guide - Final Guide: Konstantin Stanislavski, Medium Shot, Tracking Shot

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Two-shot: a shot in which two characters appear; ordinarily a medium shot or medium long shot. Long shot (ls): also known as full-body shot. A shot tha
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SFUFPA 135Robert ChristieSpring

FPA 135 Midterm: Review from Week 1-8

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SFUMATH 190Malgorzata DubielFall

MATH 190 Study Guide - Quiz Guide: Triangular Prism, Parallelogram

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SFUMATH 190Malgorzata DubielSummer

MATH 190 Quiz: Quiz 3

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SFUMATH 190Malgorzata DubielSummer

MATH 190 Study Guide - Quiz Guide: Repeating Decimal, Integer Factorization

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SFUMATH 190Malgorzata DubielSummer

MATH 190 Study Guide - Quiz Guide: Divisibility Rule, Prime Number

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SFUMATH 190Malgorzata DubielFall

MATH 190 Quiz: Quiz 6

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SFUMATH 190Malgorzata DubielSummer

MATH 190 Study Guide - Quiz Guide: Triangular Prism, Glide Reflection, Horizontal Plane

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SFUMATH 190Malgorzata DubielFall

MATH 190 Lecture Notes - Lecture 4: Veggie Burger, Prime Number, Digit Sum

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SFUMATH 190Malgorzata DubielFall

MATH 190 Study Guide - Midterm Guide: Composite Number, Prime Factor, Key 2

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SFUMATH 190Malgorzata DubielFall

MATH 190 Lecture Notes - Lecture 5: Repeating Decimal, Decimal Mark, Prime Factor

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SFUMATH 190Malgorzata DubielFall

MATH 190 Lecture Notes - Lecture 10: Quadrilateral, Tracing Paper

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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 4: Seven Samurai, Continuity Editing, Verisimilitude

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If the shot is the basic element of filmmaking, editing makes sense out of those shots. Editing cuts shots and combines them to construct/ deconstruct
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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 1: Film Studies, Term Paper

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Wednesday, january 6, 2016. Look at glossary of the textbook. Year of production (usually within the decade or better 1- 2 years off) What each film is
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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 1: Marxist Feminism, Narrative Structure

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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 5: Establishing Shot, Continuity Editing, Deepa Mehta

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Developed by soviet filmmakers of the 1920s such as pudovkin, vertov and eisenstein. Emphasizes dynamic, often discontinuous, relationships between sho
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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 2: Fill Light, Key Light

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Ca135 ch2 - mise-en-scene (in the mood for love) French - which has been put into the scene/ onstage. All of the elements placed in front of the camera
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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 3: Medium Shot, Long Shot, Deep Focus

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A piece of film run through the camera. A unit of length/ duration in time. Scene: a series of shots unified by time and space. Aspect ratio: describes
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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 2: Digital Photography, Key Light, Verisimilitude

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 10: Rainer Werner Fassbinder, Wim Wenders, Dziga Vertov

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 11: Cahiers Du Cinéma, Film Theory, Semiotics

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SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 3: Anamorphic Widescreen, Establishing Shot, Long Shot

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SFUFPA 135Melanie CassidySummer

FPA 135 Chapter Notes - Chapter 1-11: Crane Shot, Film Editing, Fictional Film

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Fpa. 135: intro to cinema - terminology (melanie cassidy, instructor) The fundamental means by which filmmakers maintain consistent screen direction, o
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SFUFPA 135Melanie CassidyWinter

FPA 135 Chapter Notes - Chapter 7: Method Acting, Moscow Art Theatre, Konstantin Stanislavski

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SFUFPA 135Melanie CassidyWinter

FPA 135 Chapter Notes - Chapter 6: Super 8 Film, Eastmancolor, Film Stock

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What is cinematography? process of capturing moving images on film or a digital storage device. coined after motion pictures were invented and means wr
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SFUFPA 135Robert ChristieSpring

FPA 135 Midterm: Review from Week 1-8

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SFUFPA 135Robert ChristieSpring

FPA 135 Study Guide - Midterm Guide: Dallas Buyers Club, Run Lola Run, Dziga Vertov

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Melies previously magician and trick filmmaker; early sci-fi and special effects; very elaborate sets. Oscars for cinematography, visual effects, and a
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SFUFPA 135Melanie CassidyWinter

FPA 135 Study Guide - Midterm Guide: Costume Design, Dramatic Structure, Antihero

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Cinema: greek (cid:862)kenesis(cid:863) (movement), often implies art films: movie, a form of popular entertainment, a narrative that tells a fictional
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SFUFPA 135Melanie CassidySpring

FPA 135- Final Exam Guide - Comprehensive Notes for the exam ( 25 pages long!)

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SFUFPA 135Melanie CassidyWinter

FPA 135 Study Guide - Final Guide: Panavision, Camera Angle, Long Shot

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Lighting: shapes the way the movie looks and helps tell the story: source: natural and artificial, daylight: the most convenient and economical source,
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SFUFPA 135Melanie CassidySummer

FPA 135- Midterm Exam Guide - Comprehensive Notes for the exam ( 13 pages long!)

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Fpa. 135: intro to cinema - terminology (melanie cassidy, instructor) The fundamental means by which filmmakers maintain consistent screen direction, o
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SFUFPA 135Melanie CassidySpring

FPA 135 Study Guide - Final Guide: Film Editing, Fictional Film, Tracking Shot

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Basic construction of a movie: shot- an unbroken span of action captured by an uninterrupted run of a motion- picture camera, editing- the joining toge
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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 4: Seven Samurai, Continuity Editing, Verisimilitude

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If the shot is the basic element of filmmaking, editing makes sense out of those shots. Editing cuts shots and combines them to construct/ deconstruct
View Document
SFUFPA 135Melanie CassidySummer

FPA 135 Chapter Notes - Chapter 1-11: Crane Shot, Film Editing, Fictional Film

OC190623811 Page
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Fpa. 135: intro to cinema - terminology (melanie cassidy, instructor) The fundamental means by which filmmakers maintain consistent screen direction, o
View Document
SFUFPA 135Robert ChristieSpring

FPA 135 Lecture Notes - Lecture 1: Film Studies, Term Paper

OC4876143 Page
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Wednesday, january 6, 2016. Look at glossary of the textbook. Year of production (usually within the decade or better 1- 2 years off) What each film is
View Document

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SFUFPA 135Melanie CassidySpring

FPA 135- Final Exam Guide - Comprehensive Notes for the exam ( 25 pages long!)

OC222358925 Page
0
View Document
SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 3: Medium Shot, Long Shot, Deep Focus

OC9169595 Page
0
A piece of film run through the camera. A unit of length/ duration in time. Scene: a series of shots unified by time and space. Aspect ratio: describes
View Document
SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 4: Seven Samurai, Continuity Editing, Verisimilitude

OC9169593 Page
0
If the shot is the basic element of filmmaking, editing makes sense out of those shots. Editing cuts shots and combines them to construct/ deconstruct
View Document
SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 2: Fill Light, Key Light

OC9169592 Page
0
Ca135 ch2 - mise-en-scene (in the mood for love) French - which has been put into the scene/ onstage. All of the elements placed in front of the camera
View Document
SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 5: Establishing Shot, Continuity Editing, Deepa Mehta

OC9169592 Page
0
Developed by soviet filmmakers of the 1920s such as pudovkin, vertov and eisenstein. Emphasizes dynamic, often discontinuous, relationships between sho
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SFUFPA 135Joseph Clark

FPA 135 Lecture Notes - Lecture 1: Marxist Feminism, Narrative Structure

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SFUFPA 135Melanie CassidySpring

FPA 135 Study Guide - Final Guide: Film Editing, Fictional Film, Tracking Shot

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Basic construction of a movie: shot- an unbroken span of action captured by an uninterrupted run of a motion- picture camera, editing- the joining toge
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SFUFPA 135Melanie CassidySummer

FPA 135 Lecture 7: ch7 fpa135

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SFUFPA 135Melanie CassidySummer

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SFUFPA 135Melanie CassidySummer

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